Throughout history, the intersection of art, innovation, and storytelling has often played a pivotal role in shaping cultural narratives. Documentaries can serve as a valuable medium for preserving these narratives, offering insights into the lives of individuals who have made significant contributions to society. In this context, filmmaker Peter Sanders’ work, particularly his 2014 documentary Altina, emerges as a noteworthy contribution to the exploration of creative legacies. The film brings renewed attention to Sanders’ grandmother, Altina Schinasi, an artist, inventor, and entrepreneur widely recognized for designing the cat-eye glasses that became iconic in American fashion. Through Altina, Sanders not only chronicles his grandmother’s life but also underscores the importance of storytelling in acknowledging the contributions of groundbreaking individuals.
Altina Schinasi’s legacy in fashion and design has not always received the recognition it deserves. Born in 1907 to a distinguished Sephardic Jewish family, Schinasi challenged the gender norms of the time by pursuing a career in the arts and business. As a student at the Art Students League of New York, her most well-known accomplishment occurred in the late 1930s when she created the cat-eye glasses. Manufacturers initially rejected her design as too unconventional, but over time, the design gained popularity and became a defining fashion accessory of the mid-20th century. Schinasi’s work extended beyond fashion—she was also a sculptor, filmmaker, and social activist, demonstrating the breadth of her artistic vision.
Sanders’ documentary Altina offers a detailed exploration of Schinasi’s multifaceted life, using archival material, interviews, and personal testimony. The documentary goes beyond her invention of cat-eye glasses and reveals her art and philanthropic endeavors. Schinasi devoted her later years to social activism, with a focus on gender and racial equality. Through the documentary, Sanders portrays the challenges she overcame as a woman navigating traditional norms and illustrates how persistence and resourcefulness shaped her legacy.
The documentary has received mixed reactions, with some critics praising its portrayal of Schinasi’s life. Altina won the David A. Stein Award at the Toronto Jewish Film Festival in 2014, highlighting its impact in the documentary filmmaking world. Sanders’s ability to weave together personal story and broader historical context was appreciated by critics. By situating Schinasi’s contributions within her era, the film offers a thoughtful analysis of how individual creativity can influence society. This award further established Sanders as a filmmaker skilled at capturing historical narratives with care and nuance.
Beyond Altina, Sanders’ career reflects a commitment to stories that bridge personal and historical narratives. His films often explore questions of identity, memory, and justice, as seen in his 2008 documentary The Disappeared, which examined the Dirty War in Argentina. While The Disappeared engages with political history, Altina approaches its subject from a more individual perspective, showcasing a figure whose legacy spans multiple fields. Both films share a focus on uncovering overlooked histories and amplifying voices that might otherwise remain unheard.
Altina is one way Sanders honors and extends his family’s legacy. Schinasi’s narrative is not just one of personal achievement but also of familial inspiration. Sanders’ decision to document her life suggests a deep connection to his heritage and a desire to ensure her work is remembered. In doing so, he becomes not just a filmmaker but a steward of his family’s story. This approach aligns with broader trends in documentary filmmaking, where personal narratives are often used to illuminate wider cultural and historical themes.
The Schinasi family has a record of notable accomplishments across various fields. Schinasi’s grandfather, Morris Schinasi, was a businessman born in the Ottoman Empire who built a fortune in tobacco after immigrating to America. This entrepreneurial background likely influenced her own path, though she carved her own way in the arts. Sanders’ portrayal of Altina places her life within this broader family context, offering a layered exploration of creativity, ambition, and resilience.
Films like Altina serve as important cultural documents that help pioneering women gain the recognition they may have missed. The film also contributes to discussions about gender and innovation, particularly in fields where women’s contributions have historically been marginalized. By spotlighting Schinasi’s story, Sanders joins a growing effort to correct historical oversights and celebrate the achievements of women in the arts and technology.
The significance of Altina lies not only in its subject but in Sanders’ approach. His ability to merge personal storytelling with historical context creates a rich and engaging narrative that resonates with viewers. Unlike conventional biographical documentaries that may focus solely on success, Altina delves into its subject’s complexities—her setbacks as well as her triumphs. This balanced perspective enhances the film’s authenticity and impact.
Sanders’ dedication to documentary filmmaking is evident throughout his career. His more recent works, including On the Shoulders of Giants: The History of NYU Langone Orthopedics (2024), demonstrate his versatility in tackling diverse subjects. While the film addresses medical advancements, it shares thematic parallels with Altina in its focus on human stories within larger historical frameworks. This adaptability reflects Sanders’ skill as a documentarian capable of addressing a wide range of social and cultural issues.
